Angela Teng
New Works
Equinox Galley很高兴推出温哥华画家Angela Teng的新作品展。从Emily Carr University of Art + Design毕业后，Teng的当代创作与历史上的绘画媒介的接触导致了一种独特的风格，其核心是挑战绘画的性质及其支持结构。
Angela Teng considers the histories of craft and textiles to connect the dualities of painting (painting as an object vs. painting as a process). The artist began this new body of work through a thrifting process where second-hand stores were scoured for incomplete or unwanted needlepoint patterns and designs. Historically devalued due to its association with “women’s work,” needlepoint is one of the oldest-known forms of canvas work where coloured yarn or embroidery thread is stitched through a pre-planned design on a stiff, open weave canvas. For Teng, the open texture provides the ideal opening to create her own works based on the existing designs but using the glistening and oozing material of oil paint rather than a continuous length of thread. The creators of the needlepoint patterns remain anonymous, and by re-using them and adding to them, Teng brings contemporary validation to their work and connects herself to the unknown artists of the past. The intimate scale is also to be noted in these works. As these are based on a historically domestic craft, the small scale is a counter-point to the large canvases of the 20thcentury abstract expressionists. Through a thoughtful approach that challenges ideas around traditionally feminized artistic labour, Teng’s paintings are enlivened by a visual imagination that highlights the process of production while engaging in contested conversations about the distinctions between craft and fine art, textile and painting, labour and leisure.
Angela Teng: New Works于2022年9月10日在Equinox Gallery开幕。
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50 Years | 50 Stories
Equinox Gallery在2022年迎来了它的50周年纪念。为了庆祝这一里程碑，并回顾过去50年的画廊故事，我们推出了“50 Years | 50 Stories”，一场不拘一格的艺术作品展览，讲述了画廊的深远影响、个人轶事及创意策略。作为全国商业艺术领域的支柱之一，我们举办了超过400场展览，代理了许多加拿大的顶级人才和国际艺术界的巨头。通过展出这些艺术家的作品，这次展览考虑了画廊在更广阔及不断变化的艺术世界背景下对发展艺术家的职业的关注。
While much has changed at the gallery over the past 50 years, our long-term relationships with artists and collectors (both public and private) remain central to the gallery’s ethos. It is by nurturing such deep-rooted connections that we are able to contribute to the significant role art plays in enriching people’s lives.
感谢您在过去50年的支持，我们期待着下一个50年的到来。
Andy, Sophie, Hannah, Chantelle, Lulu
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June Group Exhibition
在6月份，我们很高兴与您分享精心挑选的当代作品，这些作品汇集在一起，围绕着色彩、阴影、质地和形式展开对话。本次展览突出了与Equinox Gallery有新联系的艺术家以及与画廊有长期合作关系的艺术家的作品。
本次展览包括 Sonny Assu、Kim Dorland、Marten Elder、Gathie Falk、Jack Kenna、Gwenessa Lam、Erin McSavaney、Ben Reeves、Takao Tanabe、Angela Teng、Renée Van Halm、Neil Wedman 和 Etienne Zack 的作品。
For a list of available works please contact us at info@equinoxgallery.com or (604) 736 – 2405.
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Bobbie Burgers
Forest for the Trees
Bobbie Burgers
Forest for the Trees
Bobbie Burgers’ new body of work chronicles the nuances of a wide ranging studio painting practice. Forest for the Trees reflects the artist’s interest in the way that small details hold the potential for enormous impact and an understanding that the final image takes time to develop and emerge. Through a fluid and sequential approach to painting, Burgers’ new works build and expand on each other as she continues to merge abstraction with representation in increasing degrees.
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Fred Herzog
East Vancouver
Fred Herzog
East Vancouver
Fred Herzog: East Vancouver is focused on Herzog’s photographs of the east side of Vancouver. After emigrating to Canada in the early 1950s, Herzog began photographing Vancouver’s streets on regular walking excursions. While he lived and worked in the West End and the west side of the city, Herzog was particularly attuned to Chinatown, Strathcona, and what is now known as the Downtown Eastside, three neighbourhoods that sustained his interest for over 50 years. His use of colour was unusual in the 1950s and 60s, a time when art photography was almost exclusively associated with black and white, and it is through this use of colour film that Herzog developed a sensitive and thoughtful visual compendium of parts of the city.
本次展览是Capture Photography Festival分展。
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Dempsey Bob
Equinox Gallery很高兴地为您介绍即将举办的展览: Dempsey Bob.Dempsey Bob是狼族的一位杰出的Tahltan and Tlingit艺术家。他出生于1948年，1969年开始在他最早的导师Freda Diesing指导下进行雕刻。Dempsey Bob的雕塑既传统又先锋，他将传统的叙事和图腾与当代的影响相融合。他的动态雕塑以高度生动的雕塑重新想象传统，承认他们所依赖的血统，同时融入了对雕塑的广阔视野和理解。
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Shawn Hunt
The First Moonrise
Shawn Hunt
The First Moonrise
The First Moonrise是Shawn Hunt在Equinox Gallery的第二场个人展览，也是第一次绘画和纸上作品的展览。
The First Moonrise延续了Shawn Hunt通过想象的叙事及人物发展对 Heiltsuk 宇宙学的探索。Hunt的创造处于不断变化的状态，被视为变形者——在人类和精神领域之间移动和旅行的超自然人物。在隐隐月光下，Hunt画作中的场景得以栩栩如生地发展。
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Special Project
future relics of our time
Special Project
future relics of our time
Equinox Gallery 十分高兴为大家呈现“这时代的未来遗物”—— 由 Andrea Valentine-Lewis策划的Serisa Fitz-James、Jack Kenna 和 Isabel Wynn陶瓷作品展。在中世纪，与圣人和圣地相关的物品备受欢迎。由于它们与圣徒或天堂本身的联系，所以诸如头发或身体部位之类的遗物被认为是神圣的。“遗物”一词源自拉丁语 relinquere，意思是“留下的东西”，这些物品成为后代的时间标记。深虑过中世纪遗物的物质和情感维度，大家会思考，什么将构成我们当前时代的未来遗物。
点击此处阅读策展人 Andrea Valentine-Lewis 的文章。
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Unfolding
Equinox Galley很高兴以群展"Unfolding"来开启新的一年。本次群展将展出 Bobbie Burgers、Al McWilliams、Eadweard Muybridge、Jack Shadbolt、Angela Teng、Renée Van Halm 和 Neil Wedman 的作品。本次画展探讨了不同的系列作品中，通过学习和重复的过程将陌生和熟悉的手法结合在一起的方式。绘画、雕塑、素描和摄影，这些不同的艺术形式从单一的视角发展成复杂的思想全景，并且把相似性转化为差异性的连续视图。
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Jack Shadbolt
The Long Echo
Jack Shadbolt
The Long Echo
Jack Shadbolt（1909-1998）是加拿大最具创新精神的现代主义者之一，他的绘画和壁画以于其个人旅行、二战经历、及当时的社会和政治背景而闻名。Shadbolt于1909年出生于英国，早年移民到不列颠哥伦比亚省。1930年，他遇到了Emily Carr。Carr的作品，及超现实主义，和早期抽象表现主义都以他的艺术发展产生了深远影响。Shadbolt的作品不仅在加拿大各地及世界范围广泛展出，还被加拿大所有重量级博物馆永久收藏。他还被授予加拿大勋章和不列颠哥伦比亚省勋章。
Shadbolt的多画板作品是他最杰出的作品，因为它们展示了艺术家雄心勃勃的创作品规模和迭代过程。就像小说中的章节深化书面文本细节及叙事一样，Shadbolt通过不断为作品添加画板从而尽情地自由发挥，并实现其主题的全部潜力。当他的画作从一个的画板延伸到另一个画板时，揭示了艺术家对蜕变和自然世界的转变周期的深刻兴趣，包括生命和毁灭。
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