Past

Angela Teng
A Coloured Image of the Sun

A Coloured Image of the Sun is Angela Teng’s third solo exhibition with the gallery. Since graduating from Emily Carr University of Art + Design in 2011, Teng has delved into the nature of paint as a medium, challenged its typical support – the canvas – and scrutinized the character of gesture. Using several distinct methods, Teng typically produces intimately scaled works with a handmade sensibility that brush against the status of the large canvases of twentieth-century (mostly male) abstract expressionists.

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Neil Wedman
Spotlights

Spotlight是Neil Wedman在2016年夏天和2017年夏天的作品之巅峰。这一系列十幅作品最大的亮点是其连贯性：每件作品都是纵向的，尺寸为78英寸×60英寸，每个构图似乎都是前一个构图的副本。这些作品是通过提取和稀释颜料完成的。丙烯颜料被混合到液体浓度，然后倒在画布的表面，使颜料以一种非典型的方式表现出来，每种构成颜色的成分相互分离，创造出微妙的光环和污点，以及意料之外的瑕疵及特点。

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Gordon Smith
Through the Trees

Equinox Gallery is pleased to present Gordon Smith: Through the Trees – an exhibition of new paintings and collaged works on canvas. This exhibition takes Gordon Smith’s imaginative and complex perspective of the forest as both subject and object where the landscape can be pulled apart and reconstructed as an idea. For 24 consecutive years, the opening of Gordon Smith’s show in September has come to denote the beginning of the cultural season in Vancouver, and this exhibition reflects Smith’s continued commitment to his artistic practice.

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Adad Hannah
New Arrangements

Erin McSavaney
Counterpoint

Marie Khouri
Bronze

Made Still

为您呈现Jessica Eaton、Marten Elder、Adad Hannah、Fred Herzog、David Hockney、Robert Mapplethorpe、Eadweard Muybridge、Nathalee Paolinelli和Andy Warhol的作品。

Jack Shadbolt
The Ghost Universe

Jack Shadbolt（1909-1998）是温哥华一位有影响力的现代主义者，他的抽象绘画实验在加拿大和国际上都引起了共鸣。这里展示的作品是在战后时期创作的，彼时Shadbolt正在探寻其画家身份。Shadbolt是战后返回加拿大的几位艺术家之一，他们对未来有着深刻的不确定感，并通过实践寻求新的图像来表达战后的社会混乱感。

与本次展览有相似风格的是B.C. Binning、Gordon Smith、Molly Lamb Bobak、Bruno Bobak和Marion Nicoll的部分作品。虽然风格各异，但这些艺术家对战后时代的焦虑和不确定性有共识，并渴望探索抽象的表达方式。

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Dempsey Bob
New Works

Dempsey Bob’s distinctive masks, boxes, and sculptures are striking for their hallmarks. Smooth and seductive surfaces, voluptuousness of form, and expressive shifts in proportion are unique to his oeuvre. Ian Thom, senior curator at the Vancouver Art Gallery, remarks on Bob’s inventiveness and prowess as an artist: “The plasticity of the carving is striking: it is deep, with fluid lines, almost as if Bob had carved butter rather than wood. It would be a mistake, however, to dwell on the technical skill of the piece, because the power of this and all Bob’s work comes from the strength of his imagery.”

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Al McWilliams
Floor Thoughts

In this exhibition, Al McWilliams’ forms are developed through observation and drawing with associations that drift between figuration and abstraction but are anchored in neither. The sculptures offer a narrative that is relational and open with no clear beginning or end, but rather an abundance of meeting points between form and material.