Al McWilliams’ sculptural forms are developed through observation and drawing with associations that drift between figuration and abstraction but are anchored in neither. His sculptures offer a narrative that is relational and open with no clear beginning or end, but rather an abundance of meeting points between form and material. The white Carrera marble is a familiar material, calling to mind the long, rich history of western sculpture and architecture. The polished surface of the red granite makes it difficult to see detail from afar, drawing the viewer in towards the works to discover its vibrant internal activity.