Summer Group Show

Summer Group Show

Equinox is happy to share with you a curated selection of contemporary works brought together to generate conversations around colour, shadow, texture and form. This exhibition highlights works by artists with new connections to Equinox Gallery as well as those with long-standing relationships with the gallery.
This exhibition includes the works of Sonny Assu, Bobbie Burgers, Gathie Falk, Erin McSavaney, Philippe Raphanel, Gordon Smith, Takao Tanabe, Neil Wedman, Etienne Zack, and more.
For a list of available works, please contact the gallery at info@equinoxgallery.com or (604) 736-2405.

View Work

Hamed Rashtian
Reveries

Hamed Rashtian
Reveries

Equinox Gallery is pleased to present Reveries, a special project with Vancouver-based artist Hamed Rashtian. Rashtian’s thought-provoking exploration of Iran’s rich cultural heritage offers a view into the ever-evolving interplay between history, collective identity, and the built environment. Through a series of intricate and detailed bronze sculptures, the artist seeks to uncover the roots of the collective identity of the region’s past through multi-layered architectural structures that blend pottery elements with fragments inspired by Iranian architecture. Rashtian’s quest into these ideas was initially ignited by a series of books edited and written by his mentor in sculpture, Parviz Tanavoli, a prominent figure in Iranian Modern Art, whose expertise and guidance influenced his artistic vision.
Hamed Rashtian completed his MFA at Emily Carr University of Art + Design in Vancouver and holds a Swiss Federal Diploma in Higher Education from the F+F School of Art and Design in Zurich. Active as a visual artist since 2006, Rashtian has had solo exhibitions in Iran, Switzerland, and United Arab Emirates as well as participated in many international group exhibitions. He is a PhD student in the School of Interactive Arts & Technology at Simon Fraser University in Vancouver.
For a list of available works, please contact the gallery at info@equinoxgallery.com or (604) 736-2405.

View Work

Kim Dorland
The moment before the moment after

Kim Dorland
The moment before the moment after

Equinox Gallery is pleased to present The moment before the moment after, an exhibition of new paintings by Kim Dorland.
Dorland’s interest in pushing the limits of paint has developed into a dramatic visual language, enticing the viewer into an enigmatic world that transforms visceral experience into a language of paint. Over a career spanning two decades, he has gradually refined a personal palette and vocabulary of images derived primarily from observations of the natural world and the tensions that manifest themselves when nature comes into confrontation with the human experience.
If you would like to see a list of works, or schedule an appointment to view in person, please contact us at info@equinoxgallery.com or (604) 736-2405

View Work

Shawn Hunt
Recent Works

Shawn Hunt
Recent Works

Shawn Hunt is a Heiltsuk artist born in Waglisla (Bella Bella), British Columbia. His practice is informed by his Indigenous heritage and the accompanying visual culture and traditions. Hunt develops characters and narratives, bringing them to life through sculpture and painting using traditional Northwest Coast design principles known as formline. Using symbolic representation as a way to access alternative worlds, Hunt’s imagery is ever-changing and shapeshifting, offering a contemporary interpretation of Heiltsuk cosmologies.
For a list of available works, please contact the gallery at info@equinoxgallery.com

View Work

Bobbie Burgers
Partly Truth, Partly Fiction

Bobbie Burgers
Partly Truth, Partly Fiction

Bobbie Burgers’ painting practice is in continual flux, activated by an expressive mark-making process that shifts impatiently between elements of abstraction and representation. With reference to the history of still-life and vanitas painting, she commands an aesthetic that wrestles a conventional subject free from predictable outcomes. Using a wide spectrum of mediums and processes, the works in this exhibition reflect continual states of transformation, both in their subject matter and in the way they were created. The artist explains: “Painting this new series was like playing in an alternate reality. Washes were more experimental, pushing me to relinquish control as new combinations of different paints with different fluidities took on lives of their own. Several pieces in this series are heavily comprised of collage work, and I look forward to viewers seeking out the hidden seams and ripped edges. I use collage as a way to consider what the “truth” was before, and to create a new story from the prior one. It’s like a metaphor for the complexities of human nature where the past is not erased but one adds to the story.” With an interest in the way that painting can offer conflicting views of a single subject, the works in the exhibition ask for renewed viewings from different states of mind and different times of day.
If you would like to see a list of works, please contact us at info@equinoxgallery.com or (604) 736-2405

View Work

Fred Herzog
of Time and Place

Fred Herzog
of Time and Place

No other artist has chronicled Vancouver’s urban life as comprehensively and with such sustained insight as Herzog. He purchased his first camera in Germany at the age of 21, a Kodak Retina 1, which he knew about from his father who worked at Kodak during the war. Some of Herzog’s earliest photographs in Vancouver were taken on the Retina 1, but this model had a slow lens speed and did not contain a rangefinder and consequently, he favoured using the Lecia C for street photography as it was small and pocketable. He used different lenses while working in low light and crowded locations, all the while producing images that achieve a rare balance of composition and spontaneity. Bringing together early black and white images from the artist’s archive and his pioneering colour street photography, of Time and Place celebrates Fred Herzog’s understanding of the medium combined with the ability of photography to show “how you see and how you think”.
For more information, please contact the gallery at info@equinoxgallery.com

View Work

Marten Elder
New Colour Photographs

Marten Elder
New Colour Photographs

Marten Elder’s photographs offer a reconsideration of the way that images are captured in light of digital and technological developments. Through careful interpretation of the raw data, Elder produces photographs that disrupt spatial hierarchy and that are intensely vibrant in their tonal range. The colours may seem synthetic at first, but they all exist in the world in the same relative relationship to one another, and it is this representation of the world that is of great interest to Elder.
For more information, please contact the gallery at info@equinoxgallery.com 

View Work

Jack Kenna
How Slowly Time Passes, How Quickly Things Change

Jack Kenna
How Slowly Time Passes, How Quickly Things Change

Jack Kenna’s practice is defined by an energetic visual style where he reflects the dynamic nature of our media saturated world. His index of imagery is expansive, derived not only from published sources but also from personal experience, giving him the freedom to merge historical still life painting with his own vast archive of cell phone photography and imagery. This breadth of reference allows him to create works that convert the paradoxes inherent in the contemporary experience.
The title of the exhibition, How Slowly Time Passes, How Quickly Things Change, offers a reflection on the slipperiness and contradictory nature of time as represented through objects that demarcate its passage: calendars, candles, flowers, clocks, even a hot cup of coffee cooling down. The title also relates to how time can be tracked through the relentless “advancements” of technology, represented by obsolete iPhones, dated electronics, and the knobs and dials of 1970s modular synthesizers. The works also reveal themes and symbols that speak to a particular mode of post-pandemic experience, largely dictated by digital interactions with the world. On their own, power strips, cords, and cables are seemingly common objects used to maintain function in work and life. Here, exaggerated and oversized, tapped with a maximum of electrical plugs with tangled cables extending in all directions, they activate the canvas and suggest a state of being over-worked, over-stimulated, and out of time.
For a list of available works, please contact the gallery at info@equinoxgallery.com 

View Work

Angela Grossmann
With Themselves

Angela Grossmann
With Themselves

Expressive, fluid, and frequently elusive, Angela Grossmann’s works may be thought of as traditional portraiture, but in fact she takes the genre in new directions. While Grossmann’s depictions have a remarkable human likeness, more significantly she brings psychological insights into the representation of the female as visualized in western society. Grossmann depicts the body because she is empowered by it and familiar with it—through observations, memories, and lived experience—and has now been addressing it in her studio practice for over four decades. As a woman, she is able to externalize the complexities of the desiring gaze, bringing to the fore representations of people, that not only celebrate beauty, joy, and the maternal, but also embody melancholy, introspection, as well as a subject’s own desires—in other words, unveiling the many dimensions of femininity.
Angela Grossmann: With Themselves continues at Equinox Gallery until Saturday, February 18th.

View Work

Khan Lee
Lost and Found

Khan Lee
Lost and Found

Equinox Gallery is pleased to feature Lost and Found, Khan Lee’s first solo exhibition with the gallery. Khan Lee’s conceptual practice involves experimentation with forms and processes in order to explore the inherent relationships between material and immaterial content. 
For this exhibition, Lee presents a body of works in disparate media, encouraging viewers to contemplate how materials and devices can be experienced in profoundly diverse ways. In the exhibition, a Super8 film measures both time and distance; a dizzying display of finely painted realist watercolours of Zoom backgrounds comments on how individuals choose to represent themselves through their belongings; and common objects, such as men’s shirts and paper cups, offer a poetic musing on how everyday phenomena can easily be overlooked. In recontextualizing quotidian objects and moments, Lost and Found rekindles the surprising and often intangible dynamics of everyday life.
For a list of available works, please contact the gallery at info@equinoxgallery.com or (604) 736-2405.

View Work