Paying Attention
at the Fairmont Pacific Rim

Paying Attention
at the Fairmont Pacific Rim

With works by
Berenice Abbott
William Eggleston
Walker Evans
Fred Herzog
Geoffrey James
Vivian Maier
George Tice
In collaboration with Westbank’s Pacific Gallery at the Fairmont Pacific Rim, Equinox Gallery is pleased to present Paying Attention, a group exhibition featuring the work of Berenice Abbott, William Eggleston, Walker Evans, Fred Herzog, Geoffrey James, Vivian Maier and George Tice. This exhibition looks at photographers whose work articulates fleeting, often overlooked moments in the evolution of their urban environments during periods of rapid growth and transition. Spanning several cities over the past 100 years, these photographers are united in the understanding that what is most familiar in modern life is often what is most impermanent, and its significance may only be felt once it has disappeared.
As wanderers through the city, the photographers in this exhibition utilize varying aesthetic strategies to present an alchemy of past, present, and future within a single image. From Berenice Abbott’s striking architectural images of New York City in the 1930s to Fred Herzog’s early colour scenes of a growing Vancouver on the precipice of modernity in the 1950s, the photographers in Paying Attention each explore the large and small ways our environments are shaped and reshaped over time.
Presented by Equinox Gallery for the Capture Photography Festival, Vancouver.

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Primary Colour

Primary Colour

Primary Colour is a view of early colour street photography from 1950 to 1983 with works by Fred Herzog, Vivian Maier, Gordon Parks, Helen Levitt, Harry Callahan, Ernst Haas, Saul Leiter, Joel Meyerowitz, and William Eggleston. Each of the photographers included in this exhibition have adopted and adapted the ethos of the flâneur as a wandering observer of the events of urban life. Compelled by the challenge to use colour film in their desire to observe and capture in the very same moment, the candid and striking nature of these photographs blurs the boundary between artistic expression and documentary record.

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Vivian Maier, Self-Portrait, 1956

Vivian Maier, Self-Portrait, 1956

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Vivian Maier, Audrey Hepburn at the Chicago Premiere, 1964

Vivian Maier, Audrey Hepburn at the Chicago Premiere, 1964

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Vivian Maier, Untitled, n.d.

Vivian Maier, Canada, 1950

Vivian Maier, Chicago, 1975

Vivian Maier, Chicago, 1962

Vivian Maier, Chicago, 1962

Vivian Maier, Chicago, 1962