Maggee DayCriss-Crossing
Maggee Day’s works are notable for a sense of freedom, cultivated by the space outside of the canvas as much as what is in and on the paintings’ surfaces. Compelled by the architecture, streetscape, and views observed from her studio and home, the ingresses to Day’s spaces—windows and doorways—are the foundation of her recent bodies of work. Her choice of the familiar as the fundamental site of her study allows for a more experimental yet detailed exploration of materials and processes, and while her paintings appear as abstractions, they are in fact drawn from her surroundings. She explains: “Placing parameters on my work has been the opposite of restricting, it has encouraged new ways of thinking or creating.” Her paintings serve as a type of visual archive, responding to changes in the city, its seasons, and environments, with each painting beginning anew in response to ever-changing external stimulus.
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Neil WedmanIce Caves
Neil Wedman的Ice Caves作品是通过混合丙烯颜料，将其大幅稀释，直至尽可能接近水的浓度。Wedman垂直握住画布，从瓶子里小心翼翼地将颜料倒入画布表面。然后熟练地倾斜及旋转每块画布，引导颜料流动。这时，媒介和主题开始相互呼应--当一层层液体凝固时，它们就像冰洞中可能出现的流石和其他物质。由此产生的画作呈现出一种独特的视觉语汇，这种语汇慢慢地展现出来。
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